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The Miraculous Draught of Fishes ID de tableau:: 91456
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The Miraculous Draught of Fishes 1695(1695)
Source Detroit Institute of Arts
cyf 1695(1695)
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Source_Detroit_Institute_of_Arts
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cyf
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Sturz der rebellischen Engel ID de tableau:: 91472
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Sturz der rebellischen Engel c. 1720
Medium oil on canvas
Dimensions Deutsch: 78,1 x 64,8 cm
cjr c._1720_
Medium_oil_on_canvas
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Dimensions_Deutsch:_78,1_x_64,8_cm_
cjr
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The Deposition ID de tableau:: 97743
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The Deposition 1516(1516)
Medium Oil on canvas transferred from wood
cyf 1516(1516)_
Medium_Oil_on_canvas_transferred_from_wood_
cyf
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Bacchus und Ariadne ID de tableau:: 97957
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Bacchus und Ariadne oil on canvas
Dimensions Deutsch: 75,9 x 63,2 cm
cyf oil_on_canvas_
Dimensions_Deutsch:_75,9_x_63,2_cm_
cyf
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Heilige Familie mit Hl Anna ID de tableau:: 97984
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Heilige Familie mit Hl Anna 1709(1709)
Medium oil on canvas
Dimensions 138 x 103 cm
cyf 1709(1709)_
Medium_oil_on_canvas_
Dimensions_138_x_103_cm_
cyf
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| Artiste précédent Artiste prochain
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Sebastiano Ricci
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(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. |
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